Tag: self help

  • When you work in higher education, sometimes you’re lucky enough to get a break when the students do, which is why I can’t leave academia. Counting weekends, I had 12 days off over Christmas and New Year’s. Initially I thought I’d try to be productive, but once the break began, it didn’t feel right to push myself. So instead of buckling down to write, I decided to do the opposite.

    Something felt wrong – fundamentally – in my writing practice. I couldn’t pinpoint it, so I figured I’d just wait until it came to me. Luckily, it did.

    The day before Christmas, my friend asked me to a blues jam. I love watching live music, and as a musician, I’m even happier when it’s improvised. A jam is like a sporting event to me.

    These musicians were fabulous and a few minutes in, I realized I was deeply, painfully (toxically) envious of them. When they asked me to play (the host lent me his guitar, which was sweet), I was aching for it. And while playing, the penny dropped.

    I hadn’t picked up my guitar in months.

    Years ago I realized that music (my first love) was integral to keeping myself sane, stable, creative. I suppose I forgot that.

    The moment I started writing music again (11 a.m. on Christmas morning), I felt something unlock in me. I knew that I’d be okay. I knew I’d recover creatively and felt very stupid for forgetting the thing that keeps me, me.

    It’s always weird to be ignorant of the obvious, especially when it’s to do with you. Embarrassing, really. ‘Cause I know this about myself. It’s something I try to watch out for! If I stop playing music, I’m supposed to do like, a mental audit.

    Unsurprisingly, I recovered my creativity over the week following my revelation. The callouses on my left hand returned. It felt like I’d returned, too.

    The first recommendations list of this year!

    Music: “This Town” by Trixie Mattel/Shakey Graves. It’s about a small town in northeast Wisconsin, a few miles from where I went to high school. The song (and Trixie’s voice) is simple but the second verse makes me cry. It nails the very specific vibe that part of the country has.

    Reading: The Factory by Hiroko Oyamada (trans. David Boyd). It’s a wild, surreal criticism of capitalism and office work masquerading as a novel. I really enjoyed it but it’s not for everyone. I have a feeling it’s even better in Japanese, but the translation is fine.

    Miscellaneous: I only use shortscale guitars because I have tiny hands. My forever guitars are this Fender Mustang (electric), and a GS-Mini Taylor (acoustic/electric).

  • I’m happy that I started this blog. I began it after re-reading one I maintained during college. The old site was less a blog and more a record of my failures. Good failures – the death of creative projects, explorations of different musical genres (and my subsequent abandonment), and a subconscious attempt to confront my chronic illness, among other things.

    I did confront it consciously, finally, about six years ago. I’m still working on it.

    I also wrote a lot about college, growing up, and moving to Boston. The writing was bad, but even worse than that, it didn’t sound like me. I guess it’s tough for writers to own to our voices before we’re ready, so I forgive myself for the posturing. But that truly is what it was: posturing.

    To be oneself is such a task.

    It requires consciously leaning into what you – and only you – want, know, need. Of course, borrowing traits and ideas is normal. Necessary, even, but once you come to know what you truly like, when you pinpoint what comes from only you…

    It is hard to abandon the shame of some things, you know? It took me years to write science fiction, but I like it. I finally got tattoos in my late twenties. I only just admitted to myself what I’d like my future to look like, and…I stood up to my father at dinner only last week.

    He was being particularly mean, and I cannot stand anyone forgoing kindness for a power trip. A little bit of exploiting ones authority can feel good in the moment, but that doesn’t indicate power, really. Any resulting compliance is a fear response.

    Want power? Play a long game. Usurp a throne (any kind will work) or better yet, become the throne’s right hand. Become the office confidant or the quietest – and most influential – member of the C-suite. Or maybe play chess and remind yourself that the king’s the weakest piece on the board.

    If all else fails and you need straightforward “power,” demand it from someone who’d like to give theirs to you. They’re out there (and gagging for it, honestly).

    Do not externalize your own shame and frustration. It’s embarrassing and frankly, crass.

    I’m done now. With the entry, not the blog. I haven’t decided on its purpose, so there’s no end in sight, yet.

    Some recommendations:

    Music:

    I like Paloma Faith. She’s great. This is her most popular song.

    I just really like John Oliver and this is a good, well-written piece.

    Been reading the best of Shakespeare’s plays. I had an idea for a character – kind of a sundowning scholar – and he’s a Shakespeare guy. Had to find some good speeches, didn’t I? I’ve been reading the Arden Performance Editions.